Editor: Aaron S. Allen
Associate Editor: Ben Cosgrove
Editorial Board: William Bares, Kevin Dawe, Sonja Downing, Robert Fallon, Sabine Feisst, Kate Galloway, Tyler Kinnear, Andrew Mark, Mark Pedelty, Michael Silvers, Maja Trochimczyk, Denise Von Glahn
Check out the Ecomusicology section of the “Sounding Board” at the Ethnomusicology Review. Many of our future articles (and some old ones!) will be posted there before being included in the EN.
The Ecomusicology Newsletter welcomes submissions from artists, composers, educators, listeners, musicians, scholars, students, and others interested in any variant of ecomusicology. Our mission is to be an inclusive and accessible source for ideas and writings on the very broadly conceived field of ecomusicology. We welcome scholarly contributions that might not find a home in other journals, and we prioritize submissions whose brevity, alternative format, and creative approach contribute to our mission.
To submit, send an email to email@example.com. Our publication is formatted electronically for printing but also for use online; therefore, we welcome the inclusion of rich audio and visual materials.
Guidelines for the various types of submissions follow:
- Essays (e.g. articles, teaching/pedagogy, personal reflections, manifestos, etc.) should range from 1000 to 5000 words.
- Reviews (e.g. of conferences, books, recordings, performances, etc.) should be no more than 2500 words. In the case of a review essay (i.e., an essay that reviews multiple items at once within an overarching theme), submit under “Essays” above.
- News and notices (e.g. of future events, publications, performances, etc.) should be no more than 1000 words.
- Other items that do not fit neatly into the above categories will be considered on an ad hoc basis by the editor.
Types 1 and 2 will be reviewed anonymously by members of the editorial board; in some instances, an external reader may be requested (by the editorial board and/or by the author). Types 3 and 4 will not be reviewed anonymously.
Submissions must be formatted as follows:
- Email an attachment of a MS Word document as well as a PDF file that includes (in order) title, author(s), biography/biographies (100 words max per author), abstract (for Essays only), and main text. In the text of the email, make clear the type of submission (outlined above.)
- Submissions should follow the Chicago Manual of Style, 16th ed.; for references use the “Author-Date” system (see chapter 15 and/or http://www.chicagomanualofstyle.org/tools_citationguide.html and click on the “Author-Date” tab for examples). Do not include footnotes or endnotes.
- Indicate where to embed visual and/or audio materials. Images should have a resolution of at least 200PPI.
Vol. 3, no. 1 (April 2014) [PDF only]. In this issue:
Reclaim & Sustain: Homemade Instruments in Music Education, 1-5
Sara Louise Soltau
Pete Seeger (1919-2014), 6-7
Jeff Todd Titon
Classical Music in the Anthropocene, 8-12 & 30-51
Ecomusicologies 2014, 13-14
Ecomusicologies 2013, 15
AMS 2013: Ecocriticism Study Group, 15
Kate Galloway & Rachel Mundy
Hearing Landscape Critically, 16-18
Daniel M. Grimley & Carina Venter
Ecomusicology in the News, 18-19
Music, Place, People: An Audiovisual Learning Project, 20-22
Mark Pedelty & Melody Hoffman
Performance and Place
Approaches to Place in Recent Field Recordings, Part 3, 23-27
Serenading the Mountains, 28-29
Editorial Board, 52
Vol. 2, no. 2 (October 2013) [PDF only]. In this issue:
Discussion: Music in the Anthropocene, 1-2
The Study of the Music & Culture of the Environmental Crisis, 3 & 20-23
Juha Torvinen & Andreas Engström
Ecomusicologies 2013, 4-5
Music, Nature, Place: A New Book Series, 6
Sabine Feisst & Denise Von Glahn
Of Ecomusicological Interest at AMS Pittsburgh, 7
Aaron S. Allen
Of Ecomusicological Interest at SEM Indianapolis, 8-9
Ecomusicology in the News, 10
Expanding Ecomusicology, 11
Kate Galloway & Andrew Mark
Music & Environment Symposium, 12-13
Hollis Taylor & Andrew Hurley
Active Listening via Soundwalks, 14-15
Aaron S. Allen
Performance and Place
Approaches to Place in Recent Field Recordings, Part 2, 16-19
Editorial Board, 24
Vol. 2, no. 1 (March 2013) [PDF only]. In this issue:
Interview with Derek Scott, Kevin Dawe, 1-4
Performance & Place
Approaches to Place in Recent Field Recording Compositions, Tyler Kinnear, 5-7
A Survey of Ecomusicology-Related Courses, Sonia Downing, 8-11
Ecomusicologies 2013, Dan Bendrups, 12
Ecomusicologies 2012, Michael Silvers, 13
Activities of the ESG & ESIG in New Orleans, Aaron S. Allen, 14
Ecomusicological Themes in Two Antipodean Conferences, Robin Ryan, 15-17
IASPM 2013, Mark Pedelty, 17-18
Review of Making Music in the Polish Tatras, Maja Trochimczyk, 18-19
Vol. 1, no. 2 (October 2012) [PDF only]. In this issue:
- Feature Article: “Ecology and Ethno/musicology: The Metaphorical, the Representational, and the Literal,” Marc Perlman, pp. 1, 15-21.
- Conference Reports:
- Musical Environments (August 24–25, 2012), Andrew Mark, Tyler Kinnear, Yun Emily Wang, and John Pippen, pp. 2-3.
- Reviews of Recent Publications [Krause (2012), Björk (2011), National Parks Project, Adams (2009), Ingram & Coup, eds. (2011), Ingram (2010), Pedelty (2012)], Michael Silvers, pp. 4-6.
- A Preview of Ecomusicologies 2012 and Related Activities at the Joint Annual Meetings of the AMS, SEM and SMT,Aaron Allen and Kevin Dawe, pp. 7-11.
- Teaching Ecomusicology, Sonja Lynn Downing, p. 12.
- Performance & Place: Two Lives of the Krakow “Hejnał Mariacki” On Air and In the Air, Maja Trochimczyk, pp. 13-14.
- Contributors & Editorial Board, p. 22.
Vol. 1, no. 1 (January 2012) [PDF only]. In this issue:
- Letter from the Editor, Mark Pedelty, p. 1.
- Conference Reports:
- Thirty Seventh Annual Conference of the Society for American Music, Tyler Kinnear, p. 2.
- Music and Nature Conference, University of Music and Dance, Cologne, Anika Mittendorf, pp. 3-4.
- International Association for the Study of Popular Music, Canada, Andrew Mark, p. 5.
- “The Ecomusicology Bibliography via Zotero: A Dynamic and Emerging Scholarly Resource,” Aaron S. Allen & Miranda Freeman, pp. 6-9.
- CFP: Ecomusicologies 2012, p. 10.
- Contributors, p. 11.